fiction
Organ Recital, ROOM Magazine (2024)
Aversions, Ecotone (2024)
Forest School, storySouth (Finalist for Jesmyn Ward Prize in Fiction, 2023)
When You Receive the Notice to Policyholders Regarding the Liquidation of Your Insurance Company, Maudlin House (2023, selected for 2024 Best Small Fictions anthology)
Domestic Specimens, Quarterly West (Prose Contest finalist, 2022)
Stubb’s, Hobart (2020)
Attention in the Terminal, Tilted House Review (2020)
Knife Skills, Wigleaf (2019)
Hashtag Date Night, Bridge Eight (2019)
Shared Plates, matchbook (2018)
Assassin, X-R-A-Y (2018)
The Takeover, Jellyfish Review (Wigleaf Top 50 longlist, 2018)
Shades of Undecided, The Same (2018)
Early Intervention, Okay Donkey (2018)
essays
Sitting Tight While Others Celebrate: Navigating Envy While on Submission, The Cincinnati Review (2024)
I Used to Be Seventeen, Memoir Mixtapes (2019)
My First Cassette Single: “Stay (I Missed You)” by Lisa Loeb, Hobart (2019)
Area of Concern, Lunch Ticket (2018)
Against Food, Mutha Magazine (2018)
RIP Gchat: A Eulogy for a Simpler Age of Internet Messaging, The Atlantic (2017)
reviews, etc.
A Review of It’s Not Nothing by Courtney Denelle, Barrelhouse (2022)
Visualizing Loneliness in Kristen Radtke's Seek You, Ploughshares (2021)
A Review of Fake Accounts by Lauren Oyler, New Orleans Review (2021)
Groomed for Compliance: On Erin Williams’s Commute, The Kenyon Review Online (2020)
The Gestation of Words: A Review of Sophia Shalmiyev’s Mother Winter, The Adroit Journal (2020)
The Crisis of American Motherhood: A Review of Sarah Menkedick’s Ordinary Insanity, PULP (2020)
How to Spend a Literary Long Weekend in New Orleans, Literary Hub (2019)
An Open Letter to Gift-Givers of Noise-Making Toys, McSweeney’s Internet Tendency (2018)